This archival footage makes up a good portion of the early part of Spaceship Earth. One member taught herself filmmaking in order to document the group's art on 16mm film. When the "Theatre of All Possibilities" got bored with the hippie scene of San Francisco, they bought a ranch in New Mexico where they built their own compound, raised their own food, and continued to perform their own unique brand of theater. It's a testament to how fascinating this group and their achievements were that the first act of Spaceship Earth could easily have been its own documentary. Other members had nicknames like Firefly, Flash, and even Horse Shit. This group formed a sort of commune/avant-garde performance collective called the "Theatre of All Possibilities." Spaceship Earth uses each member's alias within the group as a sort of short hand to relay their eccentric nature - Wolf never explores these names beyond putting them on the screen - so I'll do the same. They quickly became the center of a movement, pulling in a cast of characters every bit as eccentric as they were. The two made a strong connection over living life to the fullest and continually challenging themselves through learning-by-doing. Gray was a 17-year-old living the hippie lifestyle, when she met a charismatic man in his late thirties named John Allen. The film begins its story with a woman named Kathelin Gray in the only place (considering where we end up) that makes sense: the Haight-Ashbury district of San Francisco in the late 1960s. Spaceship Earth is a fascinating study of both recent history and the most eclectic group of people you're likely ever to meet. She wanted to wash the air, to wash out the impurities of the world she left behind and "begin anew." She soon discovers, as do we, that it's not easy to begin anew when messy interpersonal human dynamics are involved.įilmmaker Matt Wolf paints in a sympathetic light the oddball collective who made the 1991 Biosphere 2 project a reality, but he also digs deeper into their unique approach to life. She describes turning on the rain in the vegetation section of the biosphere and gaining a sense of peacefulness. One of the eight members who volunteered to live inside an airlock-sealed facility for two years - they called themselves biospherians - recalls her first thoughts just after the door to the outside world was shut and locked on day one. As noble as these scientific aspirations were for the project, it’s pretty clear that they were secondary to more emotional and psychological interests. Without taking into consideration performance, speed, or power, here are the coolest and most well-designed spaceships in sci-fi movies, ranked.Just about every person who participated in the Biosphere 2 experiment - and subsequently the new documentary about it, called Spaceship Earth - talks about the scientific goals of their undertaking. Some are meant for long periods of interstellar travel, while others are meant for short distances and speed. The ships featured in many popular films have different roles and in turn have different designs and sizes based on those roles. Some movies use ships purely as a form of locomotion, while others, like the Millenium Falcon, seem to embody a sort of personality and Mythos. Since ships are often such a defining piece of aesthetic in the genre, they can often tell you much about the fictitious world that surrounds them.įrom Star Wars to The Matrix, every great science fiction universe has an equally good set of ships and proficient crews to man them. The look, feel, usability, and even personality of a spaceship play a huge role in building the sci-fi world in which the ship occupies. Some are inspired by real world transportation, while others are born in the abstract, bordering on dream-like engineering. In the world of science fiction, one of the most common themes is space travel and exploration, and within that theme comes the classic iconography of spaceships.
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